08058580848 or 08140350866.
AND YOU MAY VISIT OUR WEBSITE ON
www.archieverprojectmaterials.com,
www.achieversprojectmaterials.com,
www.achieverprojectmaterial.com,
www.acheiversprojectmaterials.com,
www.naijasplash.com,
www.achieversprojectmaterials.blogspot.com
www.achieverprojectmaterial.blogspot.com
www.acheiversprojectmaterials.blogspot.com
www.archieverprojectmaterials.blogspot.com
YOUR SATISFACTION IS OUR PRIORITY!!!
- REVIEW OF YEJIDE KILANKO ‘S DEBUT NOVEL, “DAUGHTERS WHO WALK THIS PATH”.
- COSTUME AND MAKE-UP AS VARIABLETTOOLS FOR CULTURAL PROMOTION AND TOURISM: A STUDY OF NIGERIAN HOME VIDEOS
- THE ROLE OF AFRICA INDEPENDENT TELEVISION IN PROMOTING POPULAR CULTURE AMONG YOUTHS IN KADUNA METROPOLIS
- A FEMINIST READING OF MOBOLAJI ADENUBI’S EMPTY ARMS AND HILARY ROUSE-AMADI’S AMINA
- A METAPHYSICAL ANALYSIS OF AMOS TUTUOLA’S THE PALMWINE DRINKARD AND D.O. FAGUNWA’S THE FOREST OF GOD
- A PRAGMATIC ANALYSIS OF CHRISTAIN HAND BILLS AND POSTERS
- A STYLISTIC ANALYSIS OF AKACHI ADIMORA-EZEIGBO’S TRAFFICKED
- A STYLISTIC ANALYSIS OF SELECTED NIYI OSUNDARE’S SOCIO-POLITICAL POETRY
- A STYLISTIC ANALYSIS OF SOME SELECTED POEMS OF WOLE SOYINKA
- A STYLISTIC ANALYSIS OF SPORTS COLUMNS IN SOME SELECTED NIGERIAN NEWSPAPERS
- AESTHETIC OF AFRICANISM IN CAMARA LAYE’S THE AFRICAN CHILD AND THE RADIANCE OF THE KING
- AFRICANISM: THEME, AND TECHNIQUE IN AMOS TUTUOLA’S THE PALMWINE DRINKARD
- CHARACTERIZATION AND SYMBOLISM IN OLU OBAFEMI’S WHEELS AND NGUGI WA THIONGO’S A GRAIN OF WHEAT
- CLASS STRATIFICATION, POVERTY AND SOCIAL INJUSTICE: A CRITICAL ANALYSIS OF FESTUS IYAYI’S VIOLENCE AND OLU OBAFEMI WHEELS.
- CLASS STRUGGLE A CASE STUDY OF FESTUS IYAYI’S VIOLENCE AND ANIMATA SOW FALL’S THE BEGGARS’ STRIKE
- CODE MIXING AS A SOCIOLINGUISTIC MEDIUM IN SOME SELECTED SONGS IN THE NIGERIAN MUSIC INDUSTRY
- COMPARATIVE ANALYSIS OF EMECHETA’S SECONDCLASS CITIZEN AND NWAPA’S EFURU
- CONFLICT BETWEEN TRADITIONAL AND WESTERN CULTURE: A CASE STUDY OF SOYINKA’S DEATH AND THE KING’S HORSEMAN AND THE LION AND THE JEWEL
- CRITICAL DISOURSE ANALYSIS OF OLA ROTIMI”S OUR HUSBAND HAS GONE MAD AGAIN
- CULTURE AND DISCRIMINATION AGAINST WOMEN IN BUCHI EMECHETA’S THE JOYS OF MOTHERHOOD AND CHIMAMANDA ADICHIE’S PURPLE HIBISCUS
- EMERGENT TRADITION AND THE AFRICAN POETRY, A CASE STUDY OF TANURE OJAIDE’S THE “FATE OF VULTURES” AND “ENDLESS SONG”
- FACTS AND FICTION IN AKACHI ADIMORA – EZEIGBO’S CHLDREN OF THE EAGLE AND THE LAST OF THE STRONG ONES
- FEMINIST AESTHETICS IN OLA ROTIMI’S OUR HUSBAND HAS GONE MAD AGAIN AND FEMI OSOFISAN’S MOROUNTODUN
- FOLKLORE AND THE QUEST FOR RE-INVENTION A STUDY OF WOLE SOYINKA’S DEATH AND THE KING’S HORSEMAN AND HOPE EGHAGHA’S DEATH NOT A REDEEMER
- GENDER ISSUES IN AKACHI ADIMORA EZEIGBO’S TRAFFICKED AND ZAYNAB ALKALI’S THE VIRTUOUS WOMAN
- IMAGES OF SOCIAL VICES IN CONTEMPORARY NIGERIAN POETRY : A STUDY OF DENJA ABDULLAHI’S MAIROGO AND JIDE BALOGUN’S THE DESERT IN THE RIVER
- MAGIC POETRY: A STUDY OF ARUGBA INVOCATION IN OSUN OSOGBO FESTIVAL
- MOTHER TONGUE INTERFERENCE IN ENGLISH NEWS CAST: A CASE OF A KWARA TELEVISION NEWS
- ORATURE IN MODERN AFRICAN LITERATURE USING: WOLE SOYINKA’S THE BEATIFICATION OF AREA BOY
- PRAGMATIC FEATURES OF NIGERIAN ENGLISH: A CASE STUDY OF SELECTED POEMS OF BAYO ADEBOWALE
- RACISM AND AESTHETICS IN ALEX LA GUMA’S A WALK IN THE NIGHT AND PETER ABRAHAMS’ MINE BOY
- RELIGION AND MORALITY IN JOHN UPDIKE’S ‘A&P’ AND SALMAN RUSHDIE’S ‘THE PROPHET’S HAIR’.
- SATIRE AND SOCIAL MEDIATION IN WOLE SOYINKA’S: A CASE STUDY OF THE TRIALS OF BROTHER JERO AND A PLAY OF GIANTS
- SATIRE IN CONTEMPORARY NIGERIAN POETRY: A STUDY OF TAYO OLAFIOYE’S A CARNIVAL OF LOOTERS AND MUSA I. OKPANACHI’S THE EATERS OF THE LIVING
- SOCIAL RELEVANCE OF NIYI OSUNDARE’S THE EYE OF THE EARTH
- SOCIO-POLITICAL MOTIFS IN NIYI OSUNDARE’S THE EYE OF THE EARTH AND VILLAGE VOICES
- SYNTACTIC AND LEXICO-SEMANTIC ANALYSES OF SELECTED SMS TEXT MESSAGES AMONG THE UNIVERSITY OF ILORIN STUDENTS
- THE MYTHOLOGICAL ICONS IN AMOS TUTUOLA THE PALM-WINE DRINKARD
- THE IMPACT OF YORUBA LANGUAGE ON THE SPOKEN ENGLISH OF STUDENTS (INDIGENES) OF ILORIN (TOWNSHIP)
- PRAGMATIC FEATURES OF NIGERIAN ENGLISH: A CASE STUDY OF SELECTED POEMS OF BAYO ADEBOWALE
- RACISM AND AESTHETICS IN ALEX LA GUMA’S A WALK IN THE NIGHT AND PETER ABRAHAMS’ MINE BOY
- RELIGION AND MORALITY IN JOHN UPDIKE’S ‘A&P’ AND SALMAN RUSHDIE’S ‘THE PROPHET’S HAIR’.
- SATIRE AND SOCIAL MEDIATION IN WOLE SOYINKA’S: A CASE STUDY OF THE TRIALS OF BROTHER JERO AND A PLAY OF GIANTS
- SATIRE IN CONTEMPORARY NIGERIAN POETRY: A STUDY OF TAYO OLAFIOYE’S A CARNIVAL OF LOOTERS AND MUSA I. OKPANACHI’S THE EATERS OF THE LIVING
- SOCIAL RELEVANCE OF NIYI OSUNDARE’S THE EYE OF THE EARTH
- SOCIO-POLITICAL MOTIFS IN NIYI OSUNDARE’S THE EYE OF THE EARTH AND VILLAGE VOICES
- SYNTACTIC AND LEXICO-SEMANTIC ANALYSES OF SELECTED SMS TEXT MESSAGES AMONG THE UNIVERSITY OF ILORIN STUDENTS
- THE MYTHOLOGICAL ICONS IN AMOS TUTUOLA THE PALM-WINE DRINKARD
- THE IMPACT OF YORUBA LANGUAGE ON THE SPOKEN ENGLISH OF STUDENTS (INDIGENES) OF ILORIN (TOWNSHIP)
No comments:
Post a Comment